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Audio input gain and attenuation via RS-232.Controllable via an MLC - MediaLink Controller, front panel buttons, or RS-232.Audio outputs: Captive screw connectors.Video outputs: Dual RGB output on five BNC connectors and one female 15-pin HD connector.Audio inputs: Three pairs of female RCA connectors, two female 3.5 mm stereo mini jacks, and one captive screw connector.Video inputs: Three female BNCs paired with three 4-pin mini DINs for composite or S-video three female 15-pin HD connectors for computer-, composite, or S-video.
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External international power supply includedĪlso featuring the Extron MLS 406SA MediaLink Switcher, a simple-to-use, six input, multi-format active switcher.Īs an affordable solution for single-projector classrooms and boardrooms, the MLS 406SA provides composite video, S-video, computer-video, and audio switching.
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Volume control with volume indication for display or MLS - MediaLink Switcher.Tri-color, backlit, easy-to-label buttons.
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#Hitachi starboard t 15xl software
The controller also features IP Link® with GlobalViewer®, a free Web-based asset management and remote control software application. The Extron MLC 226 IP DV+ MediaLink Controller is an enhanced control panel with integrated dual-function DVD and VCR IR remote control.īoth display control and source control are provided on a single panel to standardize the control interface for all systems, making display systems simple to use.
#Hitachi starboard t 15xl mac
SXGA+, SXGA, XGA, SVGA, VGA & MAC compatible. DLP imaging technology delivers a “seamless” high contrast image.3000 ANSI Lumens, 85% uniformity, and 2000:1 contrast ratio.The EIP-3000NA comes complete with a built-in RJ45 LAN connection and web server which permit projector monitoring and control over the network using a web browser. It also features up to 2000:1 contrast ratio and up to 3000 ANSI Lumens brightness. It is also used in films with a second subsequent projection ( see PROCESS PHOTOGRAPHY), as well as in combination with other special effects techniques.The EIKI EIP-3000NA Projector features true XGA resolution and is compatible with other VGA resolutions. Rear projection may be used in stop-motion photography, with irregular time intervals between the exposure of consecutive frames, as in the making of animated films. In order for the timing of the exposure of the composite image to coincide with the timing of projection of the background image, the camera’s mechanism must operate synchronously and in phase with the rear projector’s mechanism. The projection is usually run at standard speed. Moving images are projected using low-noise projectors with a high light output. For still backgrounds, dirsquoitive projectors with a powerful, water-cooled light source are used. The background image on the rear screen may be still or moving. The rear-projection screen may fill the entire frame or only part of the frame, as when a landscape is shown outside a window or open door. Rear projection makes possible combinations of action and objects separated in space and time and, unlike certain other special effects techniques, permits the actor to see the background image during the filming, which is very important for coordinating the actor’s speech and actions with the events projected on the rear screen. This permits a sufficiently sharp composite picture to be obtained despite the shallow depth of field of the camera lens. A special projector, the rear projector, is placed behind the rear-projection screen, where it does not hinder the actors from performing in immediate proximity to the screen. The rear-projection screen is a translucent screen on which an image is created by rays passing through it. A special effects technique in which real objects, such as actors playing a scene, are filmed against a background that was shot earlier on motion picture or still film and that is projected onto a screen behind the objects being filmed.