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- #MIKE SHINODA MASCHINE NATIVE INSTRUMENTS HOW TO#
- #MIKE SHINODA MASCHINE NATIVE INSTRUMENTS MOVIE#
- #MIKE SHINODA MASCHINE NATIVE INSTRUMENTS FULL#
- #MIKE SHINODA MASCHINE NATIVE INSTRUMENTS SOFTWARE#
When it comes to organizing my folders in Maschine, lately I’ve been doing it by date.
#MIKE SHINODA MASCHINE NATIVE INSTRUMENTS HOW TO#
Knowing how to get the thing you want to get keeps your process fluid and fun. “I’ve collected samples and sounds for 25 years, so organization is really important. I kind of just go with what feels good and feels like it has built in momentum, and right now this feels really effortless.”Īs you might guess, being able to find things quickly is paramount to making melodic metal or N*Sync-style 2000s pop on the fly. “I love the anchor that streaming weekday mornings at a given time has given me,” he says. I realized that as long as I leave the vocal part out of it, I can make tracks with this chat room with people’s suggestions and it actually works really well.” Along the way, he’s worked out a daily quarantine schedule that allows him to be continuously creative. When it comes to making tracks, I’m really confident doing it with other people in the room but when it comes to lyrics and vocals it’s harder for me to focus when other people are around. “I was finding out what things about writing a song are fun to me when other people are watching – where can I get a good result, have fun doing it and have it be fun to watch.
#MIKE SHINODA MASCHINE NATIVE INSTRUMENTS SOFTWARE#
Mike’s Twitch streams are pretty seamless at this point, but the first month did involve a lot of experimentation: workflow tweaks, rewiring the studio to broadcast on Streamlabs’ OBS software and figuring out how to keep fans engaged. When I go out of the box, it’s for guitar or vintage keyboards occasionally, a Roland MC-707 or an MPC 60 just for fun.” My general rule is if I can do live drums I will, but on the streams I mostly use VSTs because of time and because Ableton can’t handle live drums. Even when I’ve got empty pads on my Maschine I’m trying to fill with sounds, I usually do it while the song is playing because then I can hear how the sound lives inside the track. And I like the idea that when someone tunes in to my channel music is playing at all times.
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“You can do almost everything in Ableton while the song is still moving and playing: edit, add, subtract, record, delete. “I decided to go with Ableton instead of ProTools because it kept the music going,” he explains. For the Twitch stream, however, he’s opted for a more stripped back approach.
#MIKE SHINODA MASCHINE NATIVE INSTRUMENTS FULL#
Shinoda’s usual home setup involves a control room and a live room linked with a Hear Back OCTO monitoring set up, a full drum kit and several linked computers running ProTools HD, which makes it easy for him to self-record and engineer. I can get to the point where I’m taking what’s in my mind and making it real faster.” That’s part of the reason why I use Kontakt and Maschine so much because I feel like it’s the digital version of my analog set-up. Even with my hardware stuff, I like having everything within arms reach. I’ve got a Komplete Kontrol S49 keyboard because it fits in my desk perfectly. I’ve been using Maschine since the first one – right now, I’ve got the Mk3. I also appreciate the quality and the aesthetic choices that get made in putting together a sample pack or whatever, and I just like the sounds. “The NI is very familiar, so even if I pull up a new thing I can get into it in seconds.
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“I think two-thirds of the stuff I use on the stream is Native Instruments,” he explains.
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In just over four months, Shinoda and his fans have generated enough (mostly instrumental) music for three full albums – the first of which, the 12-track Dropped Frames Vol.
#MIKE SHINODA MASCHINE NATIVE INSTRUMENTS MOVIE#
On the stream, you can watch Mike mashing up horror movie music with mariachi hip-hop, trying his hand at melding Red Hot Chili Peppers funk with Prince funk and crafting songs in the style of K-Pop, Thriller-era Michael Jackson and the Pokémon Mew. Shinoda offers viewers incentives to stay tuned to his stream – the more you watch, the more “Shinoda Bucks” you get, which you can use to ask production questions, select samples for Mike to use and submit genre suggestions for tracks, which Mike writes on little slips of paper and pulls out at random from a black bowl. Since the COVID-19 quarantine started, Shinoda – the record producer, vocalist, and visual artist best known as co-founder of the band Linkin Park – has been posted up in this same spot nearly every weekday morning doing something interesting: making tracks with fans, demonstrating how sidechaining works, trying out new plug-ins, drawing dragons, and generally giving viewers a Truman Show-style window into whatever is going on in his head. It’s 8:30AM in sunny Southern California and Mike Shinoda is already sitting at his home studio desk where, in a couple of hours time, he will go live to thousands of fans via Twitch.